Sorry, Baby: On the Grief of Who You Were Before

Most films about harm are interested in the moment of it. Eva Victor's Sorry, Baby is interested in what comes after.

In this essay I reflect on what the film understands about secondary loss, disenfranchised grief, and the version of yourself that existed before something broke. And why I think this film belongs in a conversation about loss, not only about trauma.

This essay continues over on Grief in Translation, my Substack publication for reflective writing on grief, loss, and the human experience.

You can read the full piece here: substack.com/@griefintranslation